The next measure begins on D, which leads to G minor for the second beat. 16 in G minor BWV 861 from, BWV 861 – Prelude and Fugue No. 16 in Johann Sebastian Bach's Well-Tempered Clavier Book I, keyboard music consisting of 24 preludes and fugues in every major and minor key. There is another recapitulation of the opening measure in mm. The subject of the fugue begins in G minor. Measure 9 marks the beginning of a sequence that lasts two measures and further establishes C minor as tonic. The first two measures of the prelude are an elaboration of tonic. The 5th measure begins with a ii-V-I progression and leads to a C dominant seventh chord. The prelude and the fugue of BWV 861 are set in G minor. An analysis of J.S Bach's Prelude and Fugue No.16 in G minor, BWV 861 from the Well Tempered Clavier Book 1. A detailed guide that analyzes the structural, harmonic and thematic frame of the Prelude and the Fugue. There is a chain of suspensions in m. 3 that leads to the secondary dominant (A major) that leads to the dominant (D major), which then leads back to tonic (G minor). The Prelude and Fugue in G minor, BWV 861, is No. 17. There is another C minor chord on the third beat of mm. [citation needed] The subject also appears in his funeral cantata Gottes Zeit ist die allerbeste Zeit (God's time is the very best time). 12 and a D dominant seventh on the fourth beat as we prepare to modulate back to G minor. The Prelude and Fugue in G minor, BWV 861, is No. The second episode is in G minor, and it remains in G minor until the end of the piece, Prelude and Fugue No. He modulates twice, arriving in B♭ major for the recapitulation of the opening theme in m. 1. Tonic (G minor) is then elaborated until mm. The penultimate measure begins with a pedal tone that last till the end of the prelude. This page was last edited on 29 October 2020, at 02:28. Finally, the dissonance is resolved and the piece ends with a Picardy third. The third voice enters in m. 5 in the tonic and the fourth a measure later in the dominant once again. There is another Neapolitan chord that leads to a diminished chord on the raised fourth scale degree, providing a leading tone to the D dominant seventh chord with a 4-3 suspension in the soprano. Overall, the piece has a foreboding and admonishing tone. 16 in Johann Sebastian Bach's Well-Tempered Clavier Book I, keyboard music consisting of 24 preludes and fugues in every major and minor key. Boalch, Donald Howard; Mould, Charles; Roth, Andreas H. (1995). Bach's G minor fugue is "insistent and pathetic". The G minor chord is turned into a G dominant seventh as it modulates to C minor, then a C diminished triad with the pedal tone G in the bass still. The first episode begins in D and modulates to the B♭ major for the recapitulation of the subject. A G dominant seventh chord is used in the fourth beat of m 8. This marks the beginning of a series of modulations moving up a fourth each time. The second voice enters on the pickup to the fourth beat of m. 2, and it begins in the dominant (D minor), even though the first note of the theme is a G in this instance. [citation needed]. 13, which turns into a Neapolitan sixth when the top line lands on an A♭ on the fourth beat. There is a diminished triad on beat 3 of mm. 16 in G minor from the Well-Tempered Clavier I, Learn how and when to remove this template message, "Instruction, Devotion, and Affection: Three Roles of Bach’s Well-Tempered Clavier", Video analysis of the Fugue in G minor, BWV 861, International Music Score Library Project, Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach,,_BWV_861&oldid=985978770, Articles with incomplete citations from December 2015, Articles needing additional references from April 2018, All articles needing additional references, Articles with unsourced statements from December 2015, Wikipedia articles needing clarification from December 2015, Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License. [1] The subject of the fugue employs a minor 6th leap in the first measure, then resolves it with a more conventional stepwise motion. 11, this time in C minor.


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