Thanks! Could not be happier with this mic on my guitar cab, though I’m sure I would say the same if I’d gotten a 57. and i was laughing too when i did it. Then you figure out its supposed to be “some of it’s necessary” and it blows your mind. I got my sm57 for 20 bucks from my friends Church. What Makes the SM57 Standout as the "Go To" Snare Drum Mic? Required fields are marked *. And lest you think the 57 is only good on snare, if you pick up a few more of these bad boys you can use them as tom mics. Hey! Simply enter your email below and we'll send it right away: Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Google+ (Opens in new window). Your email address will not be published. They did AKG 414’s as overheads, then a 57 on the snare, kick (which surprisingly sounded awesome! You can go here to read the answer about the 57 & 58 being twins from the folks that know, Shure…, http://www.shurenotes.com/issue30/article.htm. There was a local studio going out of business and I got lucky and pick up 4 SM57, stands and cables for $260. http://www.recordingmag.com/resources/resourceDetail/330.html. And i also got a Studio Projects B1 for 100 dollars, and i believe the quality is better than that of MXL with the same price. When I bought my second mic, though, I went with an Audix i5. after put-zing away with different mics, she very politely said “hey guys, i usually sing into a sm57.” i looked at my second engineer, shrugged my shoulders, changed mics and…..there it was. I can answer my own question now. But gear is what we use to capture and mix audio and some if is necessary. Plus, if you like soldering, the SM57 is a great mic to “mod” Using an SM57 for vocals is not that uncommon considering the similarity to the SM58, which is intended to be used for this purpose. Now there is a slight quirk about this mic, and it’s the mics low impedance. It also has that dynamic presence that sounds so sweet to my ears. For this reason, the 57 is a go-to mic and has featured on countless records throughout music's history. recording drums with SM57 Sign in to disable this ad i just bought a pro tools LE system (digi 001) ... it took me four hours to tune the drums and get the mics just right. I used a 57 to record lead vocals on one of the songs on my album. Idk, maybe my fascination with linguistics makes it more interesting but I collect these mistakes and I’d never encountered this one before. 3) Remove the transformer altogether, Or buy an SM57 already modded: I suggest you read the specs of each mic found in the shure website. Starting out when building my studio, it was always a thing of just trying to make it as cheap as possible without compromising quality. And it’s gard to know what inteface could drive this mic and which won’t. Oh and I mustn’t forget this magic solid wood top, bottom and sides 65 year old parlor guitar I found for 100$!!! All the rest is the same. And as always, remember that the placement of the mic is more crucial than the mic you choose Definitely extends the top and bottom, and doesn’t sound nearly as midrangey and “57-ish”. My last EP I tracked toms and snare, all with SM57s. I was surprised to say the least. . All work great, I really like them vocals. You are right, The différence is due for a big part to the anti pop on the 58 (the sphere). , Your email address will not be published. How would you record a drum kit with this gear? There are currently 1 users browsing this thread. The other place you will get great use out of your 57 is on the snare drum. Since I’m using it for micing guitars at home only in a safe environment, there is only a very little chance of damaging the mic. Would it make any sense to get an SM57, if I have an SM58 already, from which I can remove the windscreen easily (to make it sound very similar to an SM57)? In the following video, recording engineer and producer Ron Nevison (Bad Company, Led Zeppelin and The Who) describes why the SM57 has endured such a sustained success throughout music history. Mostly use them for snare and guitar cab but sometimes vocals as well. But it was worth it, I think. Lol @ “some if is necessary”. DO NOT Create a Song Without This Guide... DO NOT Create Another Song Until You Read This Guide.. I was thinking about the Behringer C1, as it is a very affordable large diaphragm condenser.. but then I read a lot about the Shure SM57, which is dynamic, but apparently some people have managed to record with only one as a room mic. How would you record a whole drum kit with just one SM57? Thanks! Barry Rudolph can. I personally like them ok on guitar cabs if the sound is too aggressive with a regular 57, but haven’t found them as cool on snare drums. I was watching a video done in, I believe it was Acme studio’s in New York and they used 3 to mic the drums. It’s almost impossible to not get a great guitar tone with this mic. 100 Euros for a cheap drum mic set and ran them in to a mixer. I am really pleased with the outcome and so is my drummer. (yes I know, I’m a french Graham copycat ha ha). You need to turn gain up until you start to hear hissing to get any volume to speak of. I love the 57s. It seems troublesome to run it through an audio interface, at least the cheaper ones I’ve looked at. The SM57 adds just the right amount of low-end weight, while also adding presence and 'crack' to the drum. Last but not least let’s not forget how great it is for harmonica playing, both cupped and on a stand. The i5 was about $30 cheaper at the time – it was on sale – though they generally run pretty close in price. With no phase issues to work through, and no individual drum mics to process, you simply have to take your one drum track and wield it the best you can. ... Audio-Technica AT4033CL under the snare but other mics typically used in that position are the Telefunken M81SH or Shure SM57. If anybidt by chance stumble upon this thread, what you are looking for is the focusrite saffire 6. I'm learning and basically atm I just want to record myself practicing and playing along to songs.

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