Today we’re going to focus on two new microphones from sE Electronics which, in fact, mark the entrance of this company into the sector of transducers for live sound and music. I believe noise floor will be slightly higher with the SM7B (this is easy to calculate and verify, just too early for me) but in my experience it was not a problem - can’t say for certain as I don’t have that specific mixer or know just how quiet you plan to speak/sing. When you buy products through links across our site, we may earn an affiliate commission. It requires about 5 dB more gain than the sE V7 for the same output level but has half the output impedance. His voice was just bigger and more forward, without doing any EQ or compression. This means that the response is almost out of phase with the excitation. The sE Electronics V7 Dynamic Supercardioid Microphone features a frequency range of 40Hz-19kHz with a neodymium magnet. The upper frequency range is smooth & balanced, capturing every nuance of the player, while the lowered resonance and extended, powerful low frequency response allows for a complete spectrum of instruments: 4x12 guitar cabs, toms, snares, horns, rotary organs, or any other instrument all come … sE Electronics first dynamic handheld microphone - the V7. Sonically, the extended bandwidth leads into LDC character. Its presence peak is nice and broad, which avoids adding nasal-sounding coloration while still delivering a reasonably airy sound that cuts through. The V7 has a very similar frequency response to the SM57/SM58. Subtle stuff but I'd rather have these than all SM57s or whatever, I like the variety. "The sE V7 MC1 capsule is, without a doubt, the most transparent microphone capsule in our inventory right now. The V7 has a very similar frequency response to the SM57/SM58. Electrical Impedance: 300 Ohms. (Photos Included). It feels solid enough to last a lifetime. its overall frequency response. His voice was just bigger and more forward, without doing any EQ or compression. Subtle stuff but I'd rather have these than all SM57s or whatever, I like the variety. V7 and V3 are two dynamic microphones designed and built for on-stage applications and, more generally speaking, for all types of live events, as well as for use in regular studios. SE Electronics V7 BFG Billy Gibbons dynamische zangmicrofoon Billy Gibbons (ZZ Top) signature model Directional characteristic: supercardioid Integrated pop filter Frequency response: 40 - 19,000 Hz Output impedance: 300 ohms Open circuit sensitivity: 2.0 mV / Pa (-54 dB) Robust microphone windscreen made from spring steel Integrated, shockmount Just a little more airy and clear sounding, where the SM is a little more stout sounding with a bit of sheen. We were first introduced to the sE V7 at NAMM 2017 and it is finally a part of our inventory. https://soundcloud.com/gearslutz-rev...58-vs-v3-vs-v7, How They Did It: Inside the SM58® | Shure Blog, https://www.seelectronics.com/se-microphones/dynamic/, http://microphone-data.com/media/fil...History-10.pdf, https://en.wikipedia.org/wiki/Charle..._and_acoustics, Sound-Houses :: Museum of Imaginary Musical Instruments, https://www.researchgate.net/publica...Roman_theatres, https://simple.wikipedia.org/wiki/Lenz%27s_law, https://commons.wikimedia.org/wiki/F...sshuresm58.png, https://commons.wikimedia.org/w/inde...curid=18697834, Pictures Of Mic'ed Up Drum Kits In The Studio, New with shure SM58 mic. x Length: 87 mm (3.43 in.) Ramp-up is very smooth and forgiving, which makes the V7 an easy mic to “work” — as long as the singer stays on axis. The V7 is sE Electronics first dynamic microphone (along with the V3) and sE's first handheld since the H-1 cardioid condenser (manufactured 2009-13). In our opinion, this is the best sounding dynamic mic out there and we've heard a lot of them. For low frequencies, the real part is close to the absolute value. sE say that the V7 has an 'innovative, specialized aluminium voice coil.' Microphone capsule for wireless systems Interchangeable head for all Shure (except BLX and GLX-D systems) and Line 6 hand-held transmitters, Polar pattern: supercardioid, Frequency response: 40 - 19000 Hz, Sensitivity: 2.0 mV / Pa, Weight: 0.15 kg I can clearly hear the mic’s response down to 30 Hz, and proximity effect is less pronounced from 400 Hz down. Frequency response including phase shift. The price (at time of review) is: UK-£85/EU-95euros/USA-$99. V7 MC1 + V7 MC2 USER QUOTES “We took a listen, did a comparison, and that was an awesome thing. In the vicinity of the natural frequency, the imaginary part is dominant instead. There is much less drum bleed than any of the other mics." Frequency range: 40 Hz - 19 kHz. Weight: 116 g / 4.08 oz. "The sE V7 MC1 capsule is, without a doubt, the most transparent microphone capsule in our inventory right now. The V7 is a rugged dynamic microphone fit for any voice or instrument. sE say that the V7 has an 'innovative, specialized aluminium voice coil.' It sits well with the excellent competition and is a level above similarly-priced 'budget' mics. There is much less drum bleed than any of the other mics." On the other end of the spectrum, the V7 has greater low-frequency extension. Sensitivity: 2.0 mV/Pa (-54 dB) Connectivity: Compatible with Sennheiser® wireless systems. The first time I heard the mic, it sounded as though the singer was using a large diaphragm condenser. A brilliant, reliable sound with a high build quality makes this mic suitable for rigorous touring schedules and any type of performance. What is the V7? Utilizing a super cardioid pickup pattern to maximize gain before feedback and an astounding 40Hz-19kHz frequency range you will not be disappointed in the price or the quality sound of this mic. On the other end of the spectrum, the V7 has greater low-frequency extension. The V7 Chrome is built to perform - and built to last. The SE mics have no transformer by the way. Just a little more airy and clear sounding, where the SM is a little more stout sounding with a bit of sheen. Diameter: 54 mm (2.13 in.) The SE mics have no transformer by the way. Get the manual . Ramp-up is very smooth and forgiving, which makes the V7 an easy mic to “work” — as long as the singer stays on axis. While the V7 is optimized for vocals, the capsule in the V7 X has been custom-tuned for instrumental use. The first time I heard the mic, it sounded as though the singer was using a large diaphragm condenser. sE Electronics V7 (left) and V3. Is my shure sm58 fake or real? I can clearly hear the mic’s response down to 30 Hz, and proximity effect is less pronounced from 400 Hz down. The V7 Chrome is a chrome-plated version of our best-selling V7, a dynamic vocal hand-held microphone with a supercardioid polar pattern.It delivers a crisp, open sound that perfectly captures your voice and … The rejection is amazing. The V3 has a cardioid response with an on-axis frequency response of 50Hz to 16kHz, which is pretty healthy for this type of microphone. The impulse response of a system and its frequency-domain transfer function turn out to be each others forward and inverse Fourier transforms. The sE V3 and V7 are both hand-held, moving-coil vocal mics powered by neodymium magnets. The rejection is amazing.

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